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The fact the film was made without a script only adds to this natural evolution of Chihiro. Her careful thinking and determination quickly reward her when she realizes a stinky spirit was actually a polluted river spirit who needed to be freed from all the junk surrounding it. Kamaji keeps ignoring her, but she knows she must get a job at the bathhouse to survive in this new spirit world, so doesn't stop until he helps her. She has trouble walking down the steps to the boiler man, Kamaji, but eventually manages to make it down. Miyazaki shows her slowly forcing herself to adapt to her environment and be open to the tasks ahead, quietly tackling them as best she can. Far better than that, it's a film about honest development. What sets her story apart is that Chihiro isn't forced to triumph over great evil and turn from a "sullen" creature to a good girl. These critics will see that she spends the remainder of the film laboring not only for their ignorance but also the fact that they ignore the voice of a young girl. She follows behind her parents, worried by the little shines and the appearance of the food with no vendor, warning that they shouldn't be there. When the family exit the car, entranced by the lead up to the abandoned theme park that will soon trap them, Chihiro is "whiny" because her intuition is correct. Few ten-year-olds would behave so well given the upheaval. How depressing," she says, only to be reminded by her mom that her dad bought her one for her birthday. "The only time I got a bouquet and it's a goodbye present. All she has to remember her friends is a bouquet. When we meet Chihiro, she's being driven away from her home and everything she knows to live in a new town. This is hardly a fair criticism, nor is it an accurate one. Many male critics described Chihiro as a "sullen" and "spoiled" girl, and continue to describe her as such. How often can you say a film has been made for young girls, rather than money or mainstream audiences? This is exactly why it resonates so well with people of all ages and why Chihiro feels so real.
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With this in mind, he made the movie for ten-year-old girls. Miyazaki said he'd decided to make it based on the ten-year-old daughter of friend, associate producer Seiji Okuda, who came to stay with him every summer. She has to navigate the spirit world she gets trapped in by working in a bathhouse run by an overlord called Yu-baaba.
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For balancing all of those realms, Miyazaki was the master, and since his retirement, we'll continue to look on Spirited Away as the film that was the masterpiece of his life.Īt its most basic, the film follows a little girl, Chihiro, on a journey to free her parents. On the 15th anniversary of its release in Japan, Sen to Chihiro no Kamikakushi-translated as "Sen and Chihiro's Spiriting Away"-remains untouched by rivals for its blend of the spiritual, the realistic, the fantastic, and the human. It's surely part of the reason that anime fans across the world will testify that Hayao Miyazaki's Spirited Away is the best animation film of all time. There's a quote on Tumblr somewhere that says "Disney movies touch the heart, but Studio Ghibli films touch the soul." As sentimental as that is, it's also astute.